Paco Sanguino
En 1976, ingresa en la escuela de arte de Sevilla, Pabellón de Chile, cursando las disciplinas de Dibujo Artístico, Modelado, Vaciado y Escultura hasta 1982. En 1983 abre taller en Heliópolis, Sevilla, realizando estudios sobre poliéster, fibra de vidrio, resina y diversos materiales con posibilidades plásticas, para la Pintura y la Escultura y en 1984 comienza a restaurar tallas antiguas de madera policromada. Paco Sanguino estudia por libre técnicas de policroma sobre tallas de madera en la cátedra de policromía de A. García Romero. Técnicas nuevas de vaciado con siliconas de nueva generación y resina de poliéster.
En 1985, abre taller en Marbella (Málaga). Realiza estudios sobre técnicas calcográficas, punta seca, cola grafía, etc. Primeros trabajos de monotipias, con tintas y óleo, sobre planchas de madera y hierro. En 1997, ingresa en los talleres de la Fundación del museo del Grabado Español Contemporáneo, para estudiar técnicas de calcografía clásica y contemporánea. Destacando sus exposiciones en; Centro de Arte Contemporáneo (CAC - Málaga), Museo de Algeciras, Museo del Patrimonio Municipal (MUPAM), Facultad Bellas de Sevilla, MAD Antequera, Museo del Grabado Español Contemporáneo (MGEC), Bienal Venecia 2015, Centro Cultural Infanta Cristina, Universidad Complutense y Biblioteca Nacional de Madrid.
In 1976, he entered the art school of Seville, Pabellón de Chile, studying the disciplines of Artistic Drawing, Modeling, Casting and Sculpture until 1982. In 1983 he opened a workshop in Heliópolis, Seville, conducting studies on polyester, fiberglass, resin and various materials with plastic possibilities, for Painting and Sculpture and in 1984 he began to restore old polychrome wood carvings. Paco Sanguino freely studies polychrome techniques on wood carvings in the polychrome chair of A. García Romero. New casting techniques with new generation silicones and polyester resin.
In 1985, he opens a workshop in Marbella (Málaga). He carries out studies on intaglio techniques, drypoint, colagraphy, etc. First monotype works, with ink and oil, on wood and iron plates. In 1997, he entered the workshops of the Contemporary Spanish Engraving Museum Foundation to study classical and contemporary intaglio techniques. Highlighting the exhibitions of him in; Contemporary Art Center (CAC - Málaga), Algeciras Museum, Municipal Heritage Museum (MUPAM), Faculty of Fine Arts of Seville, MAD Antequera, Museum of Contemporary Spanish Engraving (MGEC), Venice Biennale 2015, Infanta Cristina Cultural Center, Complutense University and National Library of Madrid.
En 1985, abre taller en Marbella (Málaga). Realiza estudios sobre técnicas calcográficas, punta seca, cola grafía, etc. Primeros trabajos de monotipias, con tintas y óleo, sobre planchas de madera y hierro. En 1997, ingresa en los talleres de la Fundación del museo del Grabado Español Contemporáneo, para estudiar técnicas de calcografía clásica y contemporánea. Destacando sus exposiciones en; Centro de Arte Contemporáneo (CAC - Málaga), Museo de Algeciras, Museo del Patrimonio Municipal (MUPAM), Facultad Bellas de Sevilla, MAD Antequera, Museo del Grabado Español Contemporáneo (MGEC), Bienal Venecia 2015, Centro Cultural Infanta Cristina, Universidad Complutense y Biblioteca Nacional de Madrid.
In 1976, he entered the art school of Seville, Pabellón de Chile, studying the disciplines of Artistic Drawing, Modeling, Casting and Sculpture until 1982. In 1983 he opened a workshop in Heliópolis, Seville, conducting studies on polyester, fiberglass, resin and various materials with plastic possibilities, for Painting and Sculpture and in 1984 he began to restore old polychrome wood carvings. Paco Sanguino freely studies polychrome techniques on wood carvings in the polychrome chair of A. García Romero. New casting techniques with new generation silicones and polyester resin.
In 1985, he opens a workshop in Marbella (Málaga). He carries out studies on intaglio techniques, drypoint, colagraphy, etc. First monotype works, with ink and oil, on wood and iron plates. In 1997, he entered the workshops of the Contemporary Spanish Engraving Museum Foundation to study classical and contemporary intaglio techniques. Highlighting the exhibitions of him in; Contemporary Art Center (CAC - Málaga), Algeciras Museum, Municipal Heritage Museum (MUPAM), Faculty of Fine Arts of Seville, MAD Antequera, Museum of Contemporary Spanish Engraving (MGEC), Venice Biennale 2015, Infanta Cristina Cultural Center, Complutense University and National Library of Madrid.